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directions on athlete burnout to bring the chapter to a conclusion. The issues addressed in the chapter are all interrelated, but this progression in the discussion of matters should be illuminating. As a final introductory note, it is important to understand that we have chosen to focus on athlete burnout in this review. Certainly, interesting research has been conducted on the occurrence of burnout in other sporting populations (e.g., coaches, officials, administrators), but discussion of those efforts would be tangential to our intended purpose for this chapter. Moreover, we focus this review on athletes involved in serious organized sporting competition requiring a regular regimen of formalized training. We do not comment on, nor see the issue as particularly relevant for, recreational sport participants. FROM THE BEGINNING Burnout emerged as a psychosocial construct in the mid1970s in Freudenberger s (1975) efforts to describe and explain a process of physical and mental deterioration and workplace ineffectiveness that he observed among some health care professionals. He termed the phenomenon burnout and characterized it as exhaustion due to excessive demands on energy, strength, or resources. Maslach (1982) observed the same phenomenon while studying human service workers. The development of a measurement instrument, the Maslach Burnout Inventory (MBI; Maslach & Jackson, 1981, 1986), to study the phenomenon effectively formalized the burnout syndrome: sustained feelings of emotional exhaustion, depersonalization (negative attitudes and feelings toward the recipients of the service), and inadequate personal accomplishment (a sense of low accomplishment

Note: You can adjust the degree of automatic smoothing and straightening by choosing preferences for drawing settings. See Choosing drawing settings on page 75.

Let s return to the murder of Kitty Genovese At the time, explanations bandied about in the media focused on the breakdown in modern urban society of moral ber, social norms, and sense of community Her death was said to be a product of apathy, alienation, anomie, and angst Effect of Others on Decisions Under Pressure Bibb Latan and John Darley (1970) came up with an ingenious alternative to these dispositional explanations Their explanation was based in part on existing psychological theory and in part on new theoretical insights They observed that once we notice a possible emergency situation, we must make several decisions in order to help We must decide that an emergency exists, that it is our personal responsibility to act, and that there is something we can do to help To complicate matters, these decisions must be made under pressure; emergencies involve threat, ambiguity, urgency, and stress.

2006-04-05 05:41:21.845 TV: Attempting to change from None to WatchingLiveTV 2006-04-05 05:41:21.861 Using protocol version 26 2006-04-05 05:41:22.163 GetEntryAt(-1) failed. 2006-04-05 05:41:22.164 EntryToProgram(0@Wed Dec 31 19:00:00 1969) failed to get pginfo 2006-04-05 05:41:22.164 TV Error: LiveTV not successfully started 2006-04-05 05:41:22.164 TV Error: LiveTV not successfully started 2006-04-05 05:41:22.168 TV: Deleting TV Chain in destructor

As I have said before, the login procedure for Gmail seems to be changing on a very regular basis. Check with the libraries examined in 6 for the latest news on this. Basically, however, the login procedure goes like this, with each step moving on only if the previous was reported successful. 1. Request the Gmail page. 2. Set the two cookies. 3. Send the contents of the form. 4. Request the cookie check page. 5. Request the Inbox.

However, only the last seven of these bits are used for the actual address. The rst bit in the DSAP indicates whether the address is an individual address or a group address (i.e., addressed to more than one SAP). The rst bit in the SSAP is the C/ R bit, which indicates whether a frame is a command frame or a response frame. The control eld is brie y described in Section 11.5.3.2.

The ActionScript MovieClip object has methods that let you control movie clip symbol instances on the Stage. This example uses the play and nextFrame methods:

This one s nifty but subtle. With the sidebar hidden, drag the dot slowly and at a steady speed. When the sidebar is just big enough to allow all its items to appear fully, with no ellipses at the ends of words, the sidebar will stick for a few pixels even as you drag, pinning the sidebar at its optimal size. If you keep dragging, eventually the sidebar will unstick and let you make it bigger. If the sidebar is wider than necessary to display all items, you can use this trick in the other direction, as you drag to make the sidebar smaller. It doesn t work exactly as you would hope, reversing the pinning effect. Instead, when you drag within a few pixels of the optimal width, the sidebar edge suddenly jumps to the left to hit the sticky point, where it stays until your dragging catches up with it.